James Tissot
French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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James Tissot The Artists' Wives oil painting


The Artists' Wives
Date 1885(1885) Medium Oil on canvas cjr
Painting ID::  81626
James Tissot
The Artists' Wives
Date 1885(1885) Medium Oil on canvas cjr
   
   
     

James Tissot Without a Dowry aka Sunday in the Luxembourg Gardens oil painting


Without a Dowry aka Sunday in the Luxembourg Gardens
Date 1883-85 Medium Oil on canvas cjr
Painting ID::  81659
James Tissot
Without a Dowry aka Sunday in the Luxembourg Gardens
Date 1883-85 Medium Oil on canvas cjr
   
   
     

James Tissot Two Sisters oil painting


Two Sisters
Date 1863(1863) Medium Oil on canvas Dimensions 210 x 136 cm cjr
Painting ID::  81707
James Tissot
Two Sisters
Date 1863(1863) Medium Oil on canvas Dimensions 210 x 136 cm cjr
   
   
     

James Tissot The Prodigal Son in Modern Life oil painting


The Prodigal Son in Modern Life
Date c.1882 Medium Oil on canvas cjr
Painting ID::  82046
James Tissot
The Prodigal Son in Modern Life
Date c.1882 Medium Oil on canvas cjr
   
   
     

James Tissot Too Early oil painting


Too Early
Date 1873(1873) Medium Oil on canvas cjr
Painting ID::  82079
James Tissot
Too Early
Date 1873(1873) Medium Oil on canvas cjr
   
   
     

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     James Tissot
     French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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